Teaching Literature “Gangster” Style

Most of you know and others can guess that I have a passion for books. They offer us so much more than mere stories; they inform us and make us question our worldviews. It might surprise you that as much as I love books I did not enjoy high school English lit. Oh, Mrs. Stephens was nice enough, but she had nothing to offer in the way of why we should read. We did not learn to think critically about our required reading or the hidden meaning behind some of the classics. I hated Ethan Frome and for the life of me, could not possibly understand what Wharton’s old story of a whiny farmer had to do with me.

Sadly, this has not changed much. My son read Austin, Bradbury and the like, without much thought as to what these books might have to do with his life. His teacher, like mine, never connected with her students on their level. Many teachers forget that in order to reach young students, they have to engage them on their level. Using humor would be a good start.

Thank goodness for the Internet and social media. Today there are many people out there experimenting with our new media as a way of reaching out to young and old alike, in order to teach them in new and insightful ways. I follow a few humorous Shakespearian twitter users who work hard at making the Bard cool and easy to understand. Many are trying to reach out to the younger generations in order to keep Shakespeare alive and fresh. Today I found someone who is using social media to parody Sparknotes- the cheat sheet for disinterested high school students.

Why do I love this guy? For one, he is using humor as a way of getting attention. You can’t help but sit up and take notice. Second, after he gives his quick overview of the book Crime and Punishment he goes into a well thought out explanation of the book’s meaning and what the author was really trying to tell us. Sparky Sweet, Phd is also teaching us a valuable social lesson. Don’t assume you know everything about a person based on clothing and lifestyle choice. This “gangster” is a hell of a lot smarter than many of the people I know. I hope he offers us many more lessons.

Enjoy!

Rushed Endings, a Reader’s Pet Peeve

We can all agree Shakespeare was a great writer. His use of wordplay, verse and prose is almost unmatched in the English language. We celebrate his characters and what they stand for and his contribution of new words to our vocabulary. He can just as easily make us laugh as make us cry. But, dare I say it? Some of his play’s endings are rushed and include off stage events that contradict the action on stage.

He gets away with this because the Elizabethan theater audiences were more interested in the action of the play, the middle of the play, then they were in the ending of the play, and let’s face it, he was allowed only so much time for each production.

Shakespeare’s plays are short; in written form they are only about 300 pages long if that. I’ve read longer short stories by Stephen King. So we can forgive Shakespeare for his rushed conclusions, his neatly tied endings, but should we forgive today’s novelists who are allowed more than 300 pages and are under no time constraints? Hell no, as readers, this is one of our many pet peeves.

As readers we expect endings to contain closures and explanations, and not in a paragraph or two.  There is nothing worse than reading a good book, only to find the ending is terrible. I call this the Scooby Doo syndrome; the bad guy is caught, and another character explains the motivation behind the terrible deed in a few short sentences. Or worse yet, a completely new character is introduced, coming out just in time to save the day or wrap things up. It’s one thing to leave the reader thinking “wow, I did not see that ending coming (as most good Gothic novels do), it is quite another to leave the reader wondering, “where the hell did he come from?”

As a writer, it is your job to think your endings through; does it explain why certain things happened, does it allow the reader to feel a certain type of closures? If not, what you have offered the reader is a story without an ending, and that dear writer, is one of our biggest pet peeves.

A short list of good books with terrible endings

The Company of Thieves by Karen Mailand

The Historian by Elizabeth Kostova

Something Red by Douglas Nichols

Finding Poe by Leigh Lane

Is this one of your pet peeves? If so, I’d love to hear from you. What would be on your list?

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