Shakespeare and the Kardashians.

I’m currently taking a class called Shakespeare Muse on Fire and this week we are discussing A Midsummer’s Night Dream. I say discussing, because we do more than just listen to lectures, we talk about what Shakespeare means to us, oour thoughts that come up from our reading and what the stories mean to us. I was really shocked yesterday when one of my classmates compared Shakespeare to reality TV or as he calls it “trashy TV”. My classmate compared the plot of the play to an episode of the Kardashians. Now, I admit both have females who have way too much drama in their lives, but is it fair to compare Hermia and Helena to Kim and her annoying sister? What’s next, Hamlet vs. Honey Boo Boo? Give me a break!

For those of you who are not familiar with the play let me give you a brief rundown; Hermia is in love with Lysander and Helena is in love with Demetrius. Demetrius is in love with Hermia. Hermia’s dad won’t let her marry Lysander, he wants her to marry Demetrius. Poor Helena is left out in the cold and she spends most of her time in the play running around after Demetrius declaring her undying love for him. A spell is accidentally put on Lysander; one that makes him fall out of love with Hermia and in love with Helena. Then, trying to fix this mistake, a spell is put on Demetrius so he too falls for Helena. Helena has two men after her and she doesn’t believe either one of them. In the end the spells are removed and the four lovers pair up so that Lysander and Hermia, Demetrius and Helena end up together. This is not high art, but it is not supposed to be. It is a play about the capricious nature of love and its magical powers it has over human nature.

Shakespeare is adept at showing us the human condition. His plays are a mirror into our souls and psyche. Hamlet wouldn’t be Hamlet without his melancholic nature and his inability to do what’s right when it comes to revenging his father’s murder. Macbeth wouldn’t be Macbeth if Shakespeare didn’t show us what happens when power corrupts absolutely. Shakespeare demands that we think and look at ourselves in a cold hard mirror. He gave us great heroes and villains that we can relate to, even if we dare not admit it. There is a little Macbeth in all of us. I heard a great question today that went like this: if you could have world peace or Bill Gates’ money, what color would you Lamborghini be? Shakespeare would ask the same question.

Reality TV, or trashy TV on the other hand doesn’t ask such questions. It doesn’t look into the human condition, it makes up its own human condition; one of envy. It says, oh look you can never have a Lamborghini but watch as these people drive around in one. Reality TV is anything but. The drama is not real; the situations are staged to exaggerate the problems of the people we are watching. Oh we may wish we had the Kardashians’ fame and fortune, but do we learn anything about ourselves from watching them? Could you call Honey Boo Boo a look into the universal human condition? I don’t think so.  Hardly anyone wants to be redneckognized.

Shakespeare may, at times be bawdy and brash. And yes it would be fun to see Kim Kardashian play lovesick Helena, but we should never compare his work to Reality TV and its absurd notion of the human condition.

Rushed Endings, a Reader’s Pet Peeve

We can all agree Shakespeare was a great writer. His use of wordplay, verse and prose is almost unmatched in the English language. We celebrate his characters and what they stand for and his contribution of new words to our vocabulary. He can just as easily make us laugh as make us cry. But, dare I say it? Some of his play’s endings are rushed and include off stage events that contradict the action on stage.

He gets away with this because the Elizabethan theater audiences were more interested in the action of the play, the middle of the play, then they were in the ending of the play, and let’s face it, he was allowed only so much time for each production.

Shakespeare’s plays are short; in written form they are only about 300 pages long if that. I’ve read longer short stories by Stephen King. So we can forgive Shakespeare for his rushed conclusions, his neatly tied endings, but should we forgive today’s novelists who are allowed more than 300 pages and are under no time constraints? Hell no, as readers, this is one of our many pet peeves.

As readers we expect endings to contain closures and explanations, and not in a paragraph or two.  There is nothing worse than reading a good book, only to find the ending is terrible. I call this the Scooby Doo syndrome; the bad guy is caught, and another character explains the motivation behind the terrible deed in a few short sentences. Or worse yet, a completely new character is introduced, coming out just in time to save the day or wrap things up. It’s one thing to leave the reader thinking “wow, I did not see that ending coming (as most good Gothic novels do), it is quite another to leave the reader wondering, “where the hell did he come from?”

As a writer, it is your job to think your endings through; does it explain why certain things happened, does it allow the reader to feel a certain type of closures? If not, what you have offered the reader is a story without an ending, and that dear writer, is one of our biggest pet peeves.

A short list of good books with terrible endings

The Company of Thieves by Karen Mailand

The Historian by Elizabeth Kostova

Something Red by Douglas Nichols

Finding Poe by Leigh Lane

Is this one of your pet peeves? If so, I’d love to hear from you. What would be on your list?

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