Courtly Love, why we still hold on to this idealized form of love

picg2xI promised myself I would read at least two history books a month, and, knowing this would be a busy time for me, I picked up two small books both on the subject of Courtly Love.

We are all familiar with love at first sight and the noble suffering that it can bring. Some of us have been lucky and experienced it while for many it is something that only happens in movies and books. The plot goes something like this; boy falls for girl, boy tells girl, something gets in the way and just as it seems the two will never get together, a magical moment happens when everything falls into place. Or, boy falls for girl, boy doesn’t tell her but sets out to prove his love and makes her fall for him. Even Shakespeare admitted, “The course of true love never runs smooth”. In the Western culture it seems that true love is fraught with overwhelming challenges.

But where did this particular idea of love come from? Why do we prize this type of love over other types of love? Blame it on the French’s invention of Courtly Love.

The first book, The art of CourtlyLlove (De arte honeste amandi) by Andreas Capellanus was written somewhere around 1174-1186. It is a treatise on what Courtly Love is and how one goes about winning women’s hearts. It is broken down into three small volumes. The first is a look on how love may be acquired, the second, how love may be retained and the third looks at the rejection of love. In the third volume Capellanus takes back everything he says in the first two volumes and warns men not to fall in love; “A wise man’s wisdom loses its function if he loves”. It is because of this third volume that scholars cannot agree on the book’s intent. Some believe it is an honest codification of courtly love with a Christian apology tagged at the end so as not to enrage the Church. Others feel it is a cynical or satirical look at the social norms of the day. Andrea Hopkins an Oxford scholar believes medieval readers would have taken amused delight in the book and its exaggeration of the lover’s dilemma.

The second ,The Book of Courtly Love by Andrea Hopkins looks at the history of how this type of love evolved and why today we still value many of its customs and rituals. Though we say we do not value adulterous behavior we cannot ignore the ratings Don Draper and his antics on Mad Men garner for AMC.

Let’s look at courtly love.

Courtly love was developed during the twelfth century in France. It was a celebrated and idealized form of sensual passion among the nobility. Remember, this was a time when people did not marry for love and often spouses lived separate lives. Falling in love with one’s spouse was rare, and since the Church frowned upon sexual pleasure, married couples viewed sex as a way of continuing the male lineage, not as an enjoyment. In France the troubadours started to write songs and poems about love. They viewed true love as a religious experience with the women being objects of worship. They placed emphasis on the torments of love, and invented a cult of love, with Venus and Cupid its gods. They talked of love as something that happened to a person, a feeling that one had no control over. Love at first sight was possible, but only because Cupid made it so. The pain of being in love, yet not being able to outwardly express it was a major theme in the troubadour’s poems. Being separated from their love’s desire caused physical pain and emotional unrest. One was not truly in love if one did not suffer for love.

Not all Courtly Love was physical. Many troubadours talked about the honor and worth found in love for love’s sake.  Many a troubadour found patronage through love for a highborn lady, while she attained fame and status. The first acts of Courtly Love were highly prized forms of flatter.

As the idea of Courtly Love spread across borders more and more poems and stories emerged. The Romance period of literature stems from the troubadours. Epic poems no longer talked about noble battles of knights, they now focused on knightly quests all in the name of love. A knight hero would perform deeds to prove himself worthy to his desired lady and suffer greatly for her. From Thomas Malory’s Le Morte D’Arthur to Chaucer’s The Knight’s Tale, Courtly Love took center stage. No wonder most of Shakespeare’s plays involve love at first sight leading to misunderstandings. His work was a modern interpretation of Courtly Love. From Shakespeare to Nicholas Sparks, we are still captivated by the idea of love and the lengths we will go to achieve it.

How to pick up women and get them to sleep with you, love you.

The first volume of Capellanus’ book talks about acquiring love. He uses conversations between men and their desired ladies to show how easy it is to get them to fall in bed, love. He uses examples of noble men talking to lower class ladies and lower class men talking to higher born ladies. I won’t bore you with medieval language; I can easily translate the conversations. First, picture a mid-level manager talking to Paris Hilton

Mid-level manager: I noticed all of the guys you date are rich and famous because of their dads. Wouldn’t you rather go out with a guy who achieves greatness on his own?

Paris: Why would I want to do that?!

Mid-level manager:: Because you are better than that and deserve someone who’s achievements are honorable, not handed to him.

Paris: Flattery will get you nowhere. You have no idea if I am better than that. Besides, what honorable achievements have you accomplished?

Mid-level manager: Oh, I can see in your eyes that you are better than that. If you deny it, it shows me you are better than you think you are. Only a girl who doubts her worth is truly worthy. As for achievements, I have none, but if you sleep with me love me I promise I will work hard and prove myself to you.

Paris: That’s hot!

Now picture any CEO talking to a secretary.

CEO: I thank God I found you! He has given me my greatest desire, you! I cannot sleep or eat because all I think about is you. You are the good girl I have been looking for.

Secretary: You are kidding right? We have nothing in common as we do not move in the same circle of friends, if we fell in love we’d never see each other and besides, I’m married, happily married.

CEO: Now who’s kidding who? Nobody is happily married; no one loves his or her spouse! I’m talking true love baby, the kind of passionate love that comes when two people likes us sleep come together. And besides, sex, love is always better when two people have to sneak away.

Secretary: No, I love my husband, he is a very worthy man.

CEO: Sure, your husband is worthy. No one is arguing that point. All I’m saying is sex, love is better when you are not married. Everybody knows this! Love can have no place between a man and wife. Love should be received with furtive and hidden embraces. The Church says ardent love for one’s wife is a serious offense as it makes him an adulterer with his own wife. You wouldn’t want him to go to hell would you?

Secretary: Surly not, and besides, you do have a lot of money.

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The rules of Courtly Love

Sometime in the late twelfth century the rules of Courtly Love were codified, so that lovers would know the proper edict. It is a myth that Courtly Love was written for knights as a way to get them to settle down as peace between nations occurred during this time. The rules applied to all, and knights being knights, we cannot be sure they were always chivalrous; another myth about knights during the high Middle Ages. There are 31 rules, but I will only list the one’s that stand out:

  1. The state of marriage does not properly excuse anyone from loving.
  2. A mourning period of two years for a deceased lover is required of the surviving partner.
  3. No one should be prevented from loving expect by reason of his death. (This had to be said?)
  4. Love that is public rarely lasts. (Which could be why movies stars have high divorce rates.)
  5. A good character alone makes someone worthy of love (wish I knew this in my 20’s)
  6. A true lover is continually and without interruption obsessed by the image of his beloved. (Today we call that man a stalker.)
  7. A man in love is always fearful. Of either being rejected or found out.

By the end of the thirteenth century the rituals and practices of Courtly Love died out, thanks in part to the Church’s condemnation of passion adultery and to the Crusades. Knights once again took up arms and had no time for noble deeds. Troubadours faded away as nations once again took to fighting over borders. But the ideas expressed in Courtly Love are still with us today. The concept of love as obsessive, as a source of insecurity and pain, something to win, is so engrained in our culture we think this type of love is natural and highly regarded. Most of us don’t even know this type of attraction love is a medieval invention.

chivalry-modern-knight-0208-de

The Great Mortality: Things you did not know about the Black Death

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Another history book off my To Be Read shelf! Trust me, this was no easy task. In between Poe, Doyle and Christie, not to mention an essay comparing early fictional detectives, I managed to no only read John Kelly’s amazing “The Great Mortality”, I managed to enjoy it, reading long into the night.

The Great Mortality stands out among the plethora of books on the killer plague of 1347-1350. Kelly’ research into the lives of those living through this nightmare it is a testament to late Medieval European society. The book is a look at the plague, not from a modern perspective, but from contemporary reports, journals and tax records. Readers hear from those who lived through what they called “The Great Morality”. If reading about death by bacteria, isn’t bad enough, Kelly shows us just how awful people could be to other people. He never judges, just shows us reports of Christians killing Jews, and Muslims ignoring victims.

The book begins with a lesson on how the plague may have started and ends talking about the debate between scientists who believe the illness was a mutated form of Yersinia Pestis, a bacteria found in certain rat fleas and the “Plague Deniers” who think it was a highly contagious virus. Whatever the cause, we know now it wiped out 2/3 of Europe’s population, and in some small pockets, 60% to 90%.

I made several notes as I read that I thought I would share with you. I call this list:

Things you may have not known about The Great Mortality

bridgeoflife

Venice’s death rate was around 600 a day, so the city implemented a program that saw to it, that no dead body be allowed to stay in the city. There was a daily shuttle of boats up and down the canals gathering the dead to be taken to a San Giorgio Island. Venice put a halt to normal burial rituals. No one was allowed to lie out a loved one for last goodbyes.  This did not lesson the mortality rate, but it did cut down on secondary infection from too many dead and not enough cemetery space that so many other cities were facing. The forcefulness of the Venetian response and the ability of the city to continue to operate is something the US Energy Commission looks to when calculating a response to a thermonuclear war.

Plague pits may seem horrible to us, but for medieval society it was the worse possible burial imaginable. The idea of a personal death is a product of the European Middle Ages. Death was a time to take stock of ones life and prepare for heaven. The pits were the antithesis of this idea. It made death anonymous, animal like and in the medieval mind, unrecognizable for future resurrection. How could Jesus find you if you were in a pit, possibly surrounded by sinners?

The plague was unusually well documented in Florence. Because of the vast amount of information we have, it has been calculated that the disease traveled 2.5 miles a day. Other plagues took months to travel the same distance. Imagine if this happened today. Between cars and air travel we would never see it coming!

With cemeteries filling up within weeks, what did Avignon do with their dead? Float them down streams and rivers until they came to the Mediterranean Sea. After reading this, I am not sure I want to eat fish again.

Did they mourn their dead? Of course! The Italian Poet Petrarch wrote this poem about his lost love Laura:

She closed her eyes: and in the sweet slumber lying

her spirit tiptoed from its lodging place

It’s folly to shrink in fear, if this is dying

for death looked love in her face.

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Medieval doctors were at a loss as how to deal with the plague. Yet one Muslim doctor, Ibn al-Khatib held some ideas that are very modern. He stood his ground when it came to contagion and how to stop it. Sadly, the Muslim religious leaders believed it was God’s plan that so many should die (much like the Christian clerics). The Muslim religious leaders did not want to do anything; they felt it was up to God to determine who would live and who would die. Khatib was killed for his ideas.

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Yes, the living did notice the dead. One report talks of “stepping back into doorways to give the death carts passage”. The streets were full of dead bodies (both man and beast). The filthy streets and overwhelming stench meant that no one could ignore the horrors around them, even for a minute. It must have been hell on earth!

danse-macabre-empress1

The plague gave us the most bizarre artwork ever seen. Danse Macabre or Dance of Death originated in France in the early 1400s as a reminder that death takes everyone, regardless of age of status. Many people must have felt this reminder was necessary as it quickly spread through out Europe and can found on everything from Frescoes to woodcuts.

There is so much more to learn from The Great Mortality I highly recommend it. It will appeal those who are not familiar with this era as well as scholars like me who thought they knew just about everything there was to know about the greatest plague to ever hit mankind.

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