6 things you may not know about Stephen King’s work

It’s been over a month since my last post. Sorry about that. Too many things going on and too much drama to hash out here. I can’t promise I will be back regularly, at least for a few months. I’m in the last lap of grad school, and you know what this means; finishing up a master thesis and profile while taking those last two classes.

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But, as today is Stephen King’s birthday, I thought I’d offer a bit of King trivia. Those who have followed me for a while know he’s one of my favorite authors. To you, my fine and patient friends,

I give you 6 things you may not know about Stephen King’s work.

Kings first professional work was a short story titled The Glass Floor. He sold to “Startling Mystery Stories” in 1967.

King’s first novel, Carrie, was almost lost to history. King’s wife, Tabatha, fished the rough draft out of the garbage and had to convince her husband to finish and submit it to publishers. 33 turned it down. Double Day bought it. The Hardback only sold 13,000 but the paperback sold over a million.

The Stand was originally published in 1978. It was 823 pages long. The original manuscript contained 1152 pages, but the Double Day (his then publisher) was reluctant to release such a large book for fear that the cost of such a large book would result in poor sales. The first printing sold 70,000 copies.

King’s popularity was so great, that in 1990, Double Day consented to have The Stand re-released in the original uncut version. The first printing sold 4000,000 copies. (I have first editions of both)

It has been long rumored that Stephen King used the pseudonym Richard Bachman to prove to his critics that fans weren’t just buying his name, but his writing. In truth, as King explains on his website, StephenKing.com “I did that because back in the early days of my career there was a feeling in the publishing business that one book a year was all the public would accept”. http://stephenking.com/faq.html – 1.6

To date, there have been 72 film adaptations (including sequels to sequels) of King’s books. Stanly Kubrick’s The Shining is the most well known and is the one King really, really, doesn’t like.

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The other day the website litreactor.com published an article that tried to explain the plot of King’s books in 140 characters or less. It would have been worth noting here but A: It wasn’t all that clever and B: The author, who obviously never read a King story in his life, included some Dean Koontz novels. Goes to show even a “literary” site can fail. Oh and how epic that fail was! The comment section screamed for the author’s head. Word to the wise, never confuse King with Koontz. King’s rabid fans makes Cujo seem like a lovely puppy by comparison.

To finish this post off, I thought we’d try something fun.  Let’s do a mash up of #explainaSthephenKingbook and #explainabookplotbadly. Because King was an English teacher, let’s call it #ExplainaStephenKingbookpoorly.

The Stand; If reading this book while suffering from a cold you will compelled to make out your will. #ExplainaStephenKingbookpoorly.

It; Proves two points. Clowns are evil and you really shouldn’t go home again.

Cujo; Visiting a mechanic who works from home, and looks like he stepped out of Deliverance isn’t a very good idea. #ExplainaStephenKingbookpoorly.

Carrie; High School really is a bloodbath sport. #ExplainaStephenKingbookpoorly.

Christine; A morality tale on why guys should stop giving their cars female names. #ExplainaStephenKingbookpoorly.

Your turn!

Mr. Mercedes Not what I’d expect from Stephen King

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From the book’s description:

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.


In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.

Mr. Mercedes is Stephen King’s 57th novel, and is his third attempt to distance himself from the horror/supernatural genre. Who can blame the author for trying his hand at something new? This seems to be a follow up nod to the detective novel; his first being the highly acclaimed Joyland. Unfortunately this one left me, well…. uninspired.

This may sound odd as one would not think of a horror writer as inspiring, but King fans understand what I mean. King has a gift for instilling hope in the face of tragedy. We find everyday heroes, who time and time again, show us what is possible even as the odds are stacked against them. I’m thinking of Glen Bateman, Ralph Brentner, and Larry Underwood who faced with certain death, will not submit to evil. (The Stand) or Jake Epping who teaches us a very valuable lesson on fate and how sometimes memories are what keeps us going. (11/22/63) But in Bill Hodges we are introduced to yet another divorced middle-aged detective. The genre seems to demand that all great detectives be divorced and miserable. For an author who writes characters so compelling and multidimensional that fans talk about them for years afterwards, King’s latest protagonist seems run-of-the-mill. Hodges is tired of life and we can’t blame him. He has nothing going for him save the friendships (even these seem more like acquaintances than true friends) he develops with the small circle of characters King gives us.

Besides the flat characters King introduces us to (flat as in the literary term for character who serves one purpose only) I have two major issues with the book: The plot of the novel and King’s over use of the N word. Both distracted me, and left me wondering what King was thinking as he wrote this novel.

The Plot

As the description says, Bill Hodges receives a letter from a person claiming to be the Mercedes killer. This person wants to engage Hodges in an on-line conversation. I am not sure why the description says he threatens to kill again because what he really says is he is “done killing,” “I have my memories and they are clear as a bell”. After a long rant about the killing and his concern for Hodges mental state he asks for the detective’s “feedback” and invites him to join in a chat-room. Hodges’ response defies logic, given that he has a forty year career as a cop under his belt. Hodges’ response is to “wind this person up” to the point that the killer decides to kill again! As the story unfolds it is clear that most of what happens is a result of Hodges’ goading. I would be okay with this if at any point Hodges would have admitted this and taken some responsibility for what happens. Even after someone close to him dies as a result of this cat and mouse game (King calls it a fishing game) Hodges refuses to see that his need to close the case is the cause. I would expect this from James Patterson or Jonathan Kellerman but not King. This is an author who, when writing self absorbed characters does so in a way that we the reader realizes the flaw (I’m thinking Jack Torrance in The Shining). We get that part of the character’s problem is his lack of self-awareness, but not in this novel. It is as if King himself does not seem to see the flaw in his plot. The over all message of this novel shouts, “Forget the police, we can solve this ourselves!” stretched credibility. Hodges is willing to risk it all for one last shot at solving a case. Gee, where have we read this before?

The N word

I get it, we are all adults and sometimes this offensive term for African Americans shows up in literature. But King’s over-use of the word shook me out of the story. The first time we encounter the word the killer is thinking to himself as he spies on Hodges and his young black friend. The word is used to ensure that we readers become even more uncomfortable with the antagonist, but to use it over and over again to describe a family (and their dog!) got on my nerves. We get it Mr. King, the killer does not like black people, but did you need to keep reminding us of this point over and over again? Instead of drawing a picture of the killer’s mentality it made me wonder why King would feel so free to use the word. Was it a dare? Does he not understand that it is offensive to many even in it’s most casual use? It felt like a gratuitous use of this term and pulled me from the story. This is not something I would expect from a writer like King.

Maybe uninspired is the wrong word. Maybe I should say it is a disappointment. While 11/22/63 remains my favorite book of 2013 and one of my all time favorite books overall, this is the most disappointing books I’ve read in 2014.

I’d love to hear what you think. Have you read it? And if so, what is your take on the plot, the female body count and King’s newest characters.

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